Shifting Boundaries
Experimental
Experimental
Year
2024
Back to the time practicing sketching, I was taught that the lines on my canvas don’t inherently exist; they are transformations created by the interplay of light and objects.
Back to the time practicing sketching, I was taught that the lines on my canvas don’t inherently exist; they are transformations created by the interplay of light and objects.
Back to the time practicing sketching, I was taught that the lines on my canvas don’t inherently exist; they are transformations created by the interplay of light and objects.
在畫畫時我們時常畫線，這也是幫助我們辨認造型的根本之一。但現實中根本就不存在二維中常見的「線」。
在畫畫時我們時常畫線，這也是幫助我們辨認造型的根本之一。但現實中根本就不存在二維中常見的「線」。
在畫畫時我們時常畫線，這也是幫助我們辨認造型的根本之一。但現實中根本就不存在二維中常見的「線」。
The reflection of light determines the colors we see, and humans perceive edges where colors shift, defining one object from another. In this way, lines come to life.
The reflection of light determines the colors we see, and humans perceive edges where colors shift, defining one object from another. In this way, lines come to life.
The reflection of light determines the colors we see, and humans perceive edges where colors shift, defining one object from another. In this way, lines come to life.
三維世界中，我們所感知到的任何線條來自光與物體之間的反射，其根本是物體與物體、物體與背景之間顏色的交界處。因此，線可能是柔軟的、毛毛的、圓弧的、漸層的、閃亮的......
三維世界中，我們所感知到的任何線條來自光與物體之間的反射，其根本是物體與物體、物體與背景之間顏色的交界處。因此，線可能是柔軟的、毛毛的、圓弧的、漸層的、閃亮的......
三維世界中，我們所感知到的任何線條來自光與物體之間的反射，其根本是物體與物體、物體與背景之間顏色的交界處。因此，線可能是柔軟的、毛毛的、圓弧的、漸層的、閃亮的......
In this project, I attempt to explore and describe the essence of “lines” through the use of photography, AI, and programming.
In this project, I attempt to explore and describe the essence of “lines” through the use of photography, AI, and programming.
在這個專案中，我試圖用影像、AI、或程式輔助來描述「線」本身。
在這個專案中，我試圖用影像、AI、或程式輔助來描述「線」本身。
