Taiwan Endife Bureau
Experimental
Experimental
Year
2024
Taiwan Endlife Bureau is a fictional government agency in 2072. This is a design fiction project combining branding identity, generative AI, and creative coding, transforming Chinese traditional funerals and graves to a new form.
Taiwan Endlife Bureau is a fictional government agency in 2072. This is a design fiction project combining branding identity, generative AI, and creative coding, transforming Chinese traditional funerals and graves to a new form.
Taiwan Endlife Bureau is a fictional government agency in 2072. This is a design fiction project combining branding identity, generative AI, and creative coding, transforming Chinese traditional funerals and graves to a new form.
臺灣遺周管理局是一個虛構於2072的未來政府機構。此專案結合品牌識別，生成式 AI 以及數位編碼，試圖為未來的「傳統葬禮」提出新的可能。
臺灣遺周管理局是一個虛構於2072的未來政府機構。此專案結合品牌識別，生成式 AI 以及數位編碼，試圖為未來的「傳統葬禮」提出新的可能。
臺灣遺周管理局是一個虛構於2072的未來政府機構。此專案結合品牌識別，生成式 AI 以及數位編碼，試圖為未來的「傳統葬禮」提出新的可能。
Influenced by Taiji, Yí Zhōu, also known as the Final-Year Catch Celebration, represents a form of living funerals that contrasts with the traditional concepts of reincarnation and the “Zhuā Zhōu” ritual.
Influenced by Taiji, Yí Zhōu, also known as the Final-Year Catch Celebration, represents a form of living funerals that contrasts with the traditional concepts of reincarnation and the “Zhuā Zhōu” ritual.
Influenced by Taiji, Yí Zhōu, also known as the Final-Year Catch Celebration, represents a form of living funerals that contrasts with the traditional concepts of reincarnation and the “Zhuā Zhōu” ritual.
概念「遺周」源自傳統文化中的「抓周」，並以太極作為logo的靈感來源。
生死相對，因果輪迴，有始有終－－如果生有抓周，那麼死也可能有遺周。
概念「遺周」源自傳統文化中的「抓周」，並以太極作為logo的靈感來源。
生死相對，因果輪迴，有始有終－－如果生有抓周，那麼死也可能有遺周。
概念「遺周」源自傳統文化中的「抓周」，並以太極作為logo的靈感來源。
生死相對，因果輪迴，有始有終－－如果生有抓周，那麼死也可能有遺周。
As dependency ratios continue to rise, the situation of lonely death and the shifting landscape of death rights are becoming more pressing issues. Through Yi-Zhou, we seem to catch a glimpse of a future where everyone leaves behind a digital legacy as part of their afterlife.
As dependency ratios continue to rise, the situation of lonely death and the shifting landscape of death rights are becoming more pressing issues. Through Yi-Zhou, we seem to catch a glimpse of a future where everyone leaves behind a digital legacy as part of their afterlife.
當扶養比逐年上升，死亡權、孤獨死等議題逐漸受到重視。然而，我們也同時可以預期在將來的社會中死亡人數將大幅上升，許多家族的香火不再。透過遺周，我們得以窺見一種未來的景象——人人皆能留下數位遺產，作為生命謝幕後的身後事。
當扶養比逐年上升，死亡權、孤獨死等議題逐漸受到重視。然而，我們也同時可以預期在將來的社會中死亡人數將大幅上升，許多家族的香火不再。透過遺周，我們得以窺見一種未來的景象——人人皆能留下數位遺產，作為生命謝幕後的身後事。
